古筝右手悬腕大指摇在作品中的运用  

Usage of Right Hand Hanging Wrist Rolling Thumb While Playing Guzheng

作　　者：王运[1] 

机构地区：[1]武汉音乐学院附中

出　　处：《黄钟（武汉音乐学院学报）》2009年第3期185-192,共8页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：发端于20世纪90年代初的古筝右手悬腕大指摇,是继右手扎桩大指摇之后,因乐曲技术升华的要求而产生的一种新的摇指技法,主要流行于北京地区。经过近二十年的发展和传播,这种悬腕大指摇被广泛运用到各种风格的古筝作品中,逐渐成为最方便、最快捷、音色最统一,并最受全国各地习筝者喜爱的一种摇指技法。That the technique of playing guzheng with the right hand hanging wrist rolling thumb originated in 1990s, popular in Beijing area. The technique has been in wide use in huzheng works with different style for near 20 years developing, and with the advantages of convenience, shortcut and coherence timbre it gradually became a shaking fingering favourited by huzheng players from the whole China.

关 键 词：古筝 悬腕大指摇 作品 运用 

分 类 号：J632.32[艺术—音乐]