金陵插图与《西游记》传播——兼谈金陵、徽州、建阳插图异同  

Nanjing-style Illustrations in A Journey to the West and the Spread of the Book:Differences and Similarities of the Illustrations among Nanjing-style,Huizhou-style and Jianyang-style

作　　者：乔光辉[1] 郭威[1] 

机构地区：[1]东南大学中文系,江苏南京211189

出　　处：《江苏海洋大学学报（人文社会科学版）》2009年第2期22-26,共5页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

基　　金：国家社会科学基金项目(07czw015);江苏省社会科学基金项目(06JSBY007)

摘　　要：世德堂本《西游记》共197幅插图,典型体现出金陵版插图风格,其所蕴含的信息尚未引起学界关注。与徽、闽地域插图之比较,金陵插图风格表现为单幅硕大、人物显豁、线条豪放;金陵版插图在其文本传播中极具作用。The academe neglects the pictorial information of the Nanjing-style illustrations which are fully embodied in the 197 pieces in A Journey to the West published by the Shidetang Publishing House. Compared with Huizhou-style and Jianyang-style, Nanjing-style is marked by bigger pictures, clearer characters and bolder lines which boosted the spread of the book.

关 键 词：金陵 插图 《西游记》 传播 

分 类 号：I207.41[文学—中国文学] G206.2[文化科学—传播学]