互为镜像、彼此映照的斯坦尼斯拉夫斯基与梅耶荷德  

Mutually Complementary Stanislavski and Meyerhold

作　　者：徐琪[1,2] 

机构地区：[1]厦门大学外文学院 [2]厦门大学中文系

出　　处：《戏剧（中央戏剧学院学报）》2009年第2期135-143,共9页Drama:The Journal of the Central Academy of Drama

摘　　要：斯坦尼斯拉夫斯基和梅耶荷德是20世纪俄罗斯戏剧史上的两座高峰。他们在戏剧观念、导演方法上各成体系,因此长期以来被视为不可逾越的"对立"双方。本文针对梅耶荷德与斯坦尼斯拉夫斯基戏剧探索方面的异同,对比分析二者戏剧理论思想的主要分歧,并从中发现在彼此"对立"之中存在着的有机联系。Stanislavski and Meyerhold are the two greatest directors in the history of the 20th century Russian theatre. Both have their own system of theatre conception and directorial methods, which have long been regarded as ＂opposites＂. This essay aims to analyse the main differences of their theatre theories, and find the organic relationship between the two ＂opposites＂.

关 键 词：斯坦尼斯拉夫斯基梅耶荷德戏剧实验假定性 

分 类 号：J80[艺术—戏剧戏曲]