略论改革开放三十年的中国电影  

On Chinese Films in the 30 Years of the Reform and Opening-up

作　　者：黄俊杰[1] 

机构地区：[1]贵州大学,贵州贵阳550025

出　　处：《贵州大学学报（艺术版）》2009年第2期78-82,共5页Journal of Guizhou University Art Edition

摘　　要：中国电影的经济体制改革决定了中国当代电影的创作及其美学观念的发展和变化。观念的变化带来了电影语言的更新。"第四代"和"第五代"导演分别以其"诗化手段"和"影像风格"共同打造了新时期电影的第一座高峰。中国电影形成了娱乐片、主旋律片、艺术片三足鼎立并行发展的格局。西方各国纷纭复杂的现代电影理论也先后涌入中国,促进了中国电影理论的发展与更新。加入WTO以后,中国电影工业的基础和创作格局也发生了剧烈的变化。第六代碎片式写作在丰富影像类型的同时也部分延续了传统的古典美学风格。中国的电影市场和文化资源决定中国必将成为林立于世界电影强国之列的电影大国。The economic system reformation of Chinese films determines the development and change of the creation and aesthetic conception of Chinese present films. The ideological change brings update to film language. The fourth and fifth generation film directors together established the first film summit of the new time with poetic aids and image style respec- tively. Chinese films were formed into a tripartite pattern： entertainment films~ main theme eulogizing films and artistic films. The diverse and confused Western film theories swarmed into Chinas accelerating the development and updating of Chinese film theories. After China＇s accession to WTO, the basis and creating patterns of the Chinese films industry changed severely. At the same time when the sixth generation＇s fragmented writing is enriching the image type, it is partially makes the elassieal aesthetic style continue. Chinese film market and cultural resources determine that China will surely become a big film country in the movie powers of the world.

关 键 词：改革开放 中国电影 计划经 济转型期 电影大国 

分 类 号：J909[艺术—电影电视艺术]