透着东方文化神韵的温情画卷——从《小城之春》看中国人文电影  

On the Humane Pictures Featuring Oriental Culture Spirit——Research on the Chinese Humanistic Movies According to Spring in a Small Town

作　　者：钮绮[1] 

机构地区：[1]湖州职业技术学院人文与旅游分院,浙江湖州313000

出　　处：《湖州职业技术学院学报》2009年第2期53-57,共5页Journal of Huzhou Vocational and Technological College

摘　　要：中国人文电影力图表现一种入世的人生终极关怀。平民化的生活场景、淡雅温情的银幕氛围、琐碎胶着的情感画卷和对于"心"的永恒关注是中国人文电影的魅力所在。它重视意境的营造。在中国人文电影里,中华民族的写意传统得到了再生。在电影语言上,中国人文电影有自己的一套独特的镜语体系。它们尝试着运用深具中国审美心理情结的造型语言,而不再仅仅止步于故事叙述的完整和流畅。中国人文电影以别具韵味和东方审美习性的思想及镜语体系使世人对于电影的潜能和开拓有了全新的认识。更为重要的是,它对当代中国电影的本土化、艺术化和国际化也是一种促进与提高。The Chinese Humanistic movie tries to show a kind of the most ultimate concern on life. Its eternal charms are scenes of civilians＇ life, elegant and warm atmosphere of the screen, interweaving trivial emotional pictures and permanently focusing on “heart”, which emphasizes on the creation of artistic conception, so the Chinese traditional spirit is obviously revealed in the Chinese humanistic movie. As for the language used in movies, the Chinese humanistic movie has its own unique system which tries to use a kind of deep psychological complex Chinese aesthetic modeling language as opposed to only focusing on the integrity and fluency of stories. The special charm, the oriental aes- thetic thoughts and the unique language system of the Chinese humanistic movie makes the world have a new view on the potential and devel- opment of movies. Most important of all, it improves and accelerates the localization, the arts and internationalization of the contemporary Chinese movies.

关 键 词：中国人文电影 《小城之春》 入世精神 诗性风格 电影语言 

分 类 号：I206[文学—中国文学] J905[艺术—电影电视艺术]