周作人的民间文化情怀——以周作人关于竹枝词的论述为中心  

Zhou Zuoren's Passion to Folk Culture——A Study of Zhou Zuoren's Discourse on Zhuzhici

作　　者：陈家洋[1] 彭远方[2] 

机构地区：[1]河海大学公共管理学院,江苏南京210098 [2]浙江工业大学人文学院,浙江杭州310023

出　　处：《西南交通大学学报（社会科学版）》2009年第4期34-38,共5页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：江苏省教育厅高校哲学社会科学基金项目(06SJB750013)

摘　　要：周作人喜爱风土志,重视民俗学研究,反对"道学气",这使其文化视野向着竹枝词敞开;反过来,从他关于竹枝词的论述也可以考察其文化心态,因此,借"周作人与竹枝词"这"一斑"可略窥"周作人民间文化情怀"之"全豹"。在有关文章中,周作人主要从两个方面讨论竹枝词并显示其对竹枝词的审美取向:一是重视竹枝词的"土风",甚至出现了"重注轻诗"的取向;二是重视竹枝词诙谐幽默的艺术风格,在纵向的层面上将竹枝词置于中国谐诗的发展历程中进行考察,在横向的层面上则通过与日本川柳的比较来阐明竹枝词的艺术风格。Due to the fact that he enjoyed reading the books about local customs and paid attention to folklore study and always opposed to moralistic discourse, Zhou Zuoren＇s euhural insight opened to the Zhuzhici; conversely, his minds on culture can be studied according to his discourses on Zhuzhici. Therefore Zhou Zuoren＇s feelings for native land can be reflected by means of investigating the relation between him and it. In some relevant discourses, Zhou Zuoren discussed and expressed his aesthetic orientation to it from two aspects： the one is to pay attention to its ＂local flavors＂ and as a result there is a tendency for him to think much of the poems＇ notes but less of the poems themselves. The other is to emphasize the art of humor. Vertically, it was surveyed by Zhou Zuoren in the development of Chinese humouristic poems; horizontally, its style of art was illustrated by him through the comparison with Japanese senryo.

关 键 词：周作人 竹枝词 风土 谐诗 川柳 

分 类 号：I207.25[文学—中国文学]