北方游牧民族造型艺术与文化表意的调查与思考  

The Inquisition and Reflection on the Northern Horde Plastic Art and Its Cultural Expression

作　　者：张景明[1] 

机构地区：[1]大连大学美术学院,辽宁大连116622

出　　处：《大连大学学报》2009年第4期82-87,共6页Journal of Dalian University

基　　金：2007年国家社会科学基金艺术学项目(07BF35)"中国北方游牧民族的造型艺术与文化表意"阶段性成果

摘　　要：以北方游牧民族造型艺术与文化表意为主题,深入到内蒙古呼和浩特、包头、巴彦淖尔、乌兰察布、赤峰地区进行艺术实践调查,重点考察游牧民族的青铜器、玉石器、刺绣造型艺术的分类。在此基础上,提出造型艺术学科理论的建构与研究方法、作为非物质文化遗产的界定和通过造型艺术的表层结构挖掘深层次的文化寓意等问题。但造型艺术不是单纯的艺术形式,需要在社会功能、思想观念、艺术风格、文化交流等方面进行分析和思考,从而明确了今后工作的重点,更好地为现代北方民族文化艺术的繁荣服务。For the inquisition of the northern horde plastic art and its cultural expression, the author went deep into Inner Mongolia, visiting Huhehaote, Baotou, Bayannaoer, Wulanchahu and Chifeng CHIFENG to investigate the classification of the bronze vessels, jade machine and the embroidery plastic art of the horde. On this foundation, the author puts forward the theoretical construction for plastic art subject, methodology for studies, definition of the non - material euhural inheritance and the implied cultural meaning of the artistic form. But, the plastic art is not a pure art form, This needs to he analyzed from the viewpoint of social function, ideology, art style, cultural interaction, ete, so as to explicit the key point in later work and contribute to prosperity of the modern art in the North.

关 键 词：北方游牧民族 造型艺术 文化表意 调查与思考 

分 类 号：C95-05[社会学—民族学]