著作权文化转型与微观历史研究方法  

On the Cultural Transformation of Copyrights and the Historic Research Approach from a Micro Perspective

作　　者：肖尤丹[1,2] 

机构地区：[1]清华大学公共管理学院 [2]清华大学公共管理博士后流动站

出　　处：《北方法学》2009年第4期19-27,共9页Northern Legal Science

基　　金：教育部人文社会重点攻关项目“知识产权基础理论研究”(项目编号:04JJD820005);教育部重大攻关项目“促进创新的科技政策体系研究”(项目编号:06JZD0035)的专项资助

摘　　要：著作权制度在后现代转型中不断受到各种源自对著作权文化认识差异而导致的诘问。但是,目前的主流研究方法却一味强调著作权制度的现代性和客体性,忽视对这一新兴法律制度进行深入的历史研究,难以回应那些挑战其本体意义的质疑。而从微观的角度出发研究著作权的历史,似乎能更清楚地明晰著作权制度的本体价值。During the era of the post modern transformation, the copyright system has been constantly challenged by perceptions of cultural differences concerning copyrights. Nevertheless, the mainstream research approaches overstress the modern and objective nature of the copyright system, while neglecting the historic research on this newly emerged legal system, thus it is rather difficult to respond to those questions to the significance of the copyright＇ s ontology. While it seems rather easier to clarify the significance of copyright＇ s ontology from the micro perspective of research on the history of copyright. Therefore, scholars on intellectual property rights should attach more importance to research approaches on ＂micro history＂.

关 键 词：著作权 文化转型 历史方法 微观研究 

分 类 号：D923.41[政治法律—民商法学] K092[政治法律—法学]