20世纪一二十年代旧派文人的转型和现代性  

Transition and Modernity of the Literators in the 1910s-1920s

作　　者：王进庄[1] 

机构地区：[1]上海商学院基础学院,上海200235

出　　处：《复旦学报（社会科学版）》2009年第4期23-30,共8页Fudan Journal（Social Sciences）

摘　　要：1910年代旧派文人的价值立场定位于精英意识,1920年代旧派文人的价值立场定位于都市民间,两者在活动区域、谋生手段、对都市生活的了解、商业经营策划能力、文学功能观上都有较大差异。1920年代旧派文人通过对现代性"器物"(现代传媒和大众娱乐产业)的占有和现代意识的演绎,形成市场化的现代传媒和大众娱乐产业主导下的公共空间,参与都市文化建设,表现出鲜明的现代性。There is a big difference among the literators in the 1910s-1920s about the region of social in- teraction, the way of making a living, the knowledge of urban life, the skill of running business, and the outlooks of literature. The literators in the 1910s located their status on the elite, while those in the 1920s focused on the citizen, and built the market-oriented modem media and the public space led by the entertainment industry. Through the occupancy of the modern media and public entertainment industry and the description of modern consciousness, they participated in the city culture construction and presented a distinguished feature of modernity.

关 键 词：旧派文人 现代性 海派文学 

分 类 号：I206.6[文学—中国文学]