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作 者:戴翠华
机构地区:[1]英国苏富比艺术学院 [2]英国圣安德鲁斯大学
出 处:《故宫博物院院刊》2009年第3期42-51,共10页Palace Museum Journal
摘 要:福建德化白瓷是中华古代艺术中最重要的瓷品之一,然因古文献对瓷艺匠师记载有限,且伪款仿品甚多,故德化白瓷的断代鉴识一直是古陶瓷研究中难度甚高的课题。何朝春是当时闻名的艺师之一,目前全世界所发现的何朝春款传世作品不超过二十件,然其风格不一,水准也良莠不齐,仿品亦几可乱真,鉴定工作极为不易。作者在本文中参考中外学者研究,根据第一件纪年的德化白瓷塑像检视、分析主流大师伺朝宗与伺朝春的作品风格,由此推衍出伺朝春的生活年代,并藉以再度审视伦敦大维德中国美术馆所藏何朝春款观音瓷像。Fujian Dehua white porcelain is one of the most important types of ancient Chinese ceramic art,but there are scant documentary records concerning it.Moreover fakes abound, making the dating and authentication of Dehua porcelain one of the very difficult areas in Chinese ceramics studies.He Chaochun is one of the renowned ancient master potters,although less than twenty pieces of his work are known around the world.Moreover,their style is not uniform and the quality of these pieces is inconsistent.Moreover some fakes are mixed with genuine works,making the work of authentication even more difficult.The author examines all previous international and local research on the subject.On the basis of a study of the first dated Dehua piece,a porcelain sculptural figure,analyzes the works of the mainstream masters He Chaozong and He Chaochun.He discusses the dates of the latter and the style of his works,and on the basis of this fresh research,subjects to close scrutiny the Dehua porcelain Guanyin image attributed to He Chaochun in the Percival David Chinese Collection in London.
分 类 号:K876.3[历史地理—考古学及博物馆学]
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