语言变革与中国现代戏剧的初期形态  

Linguistic Reform and the Early Forms of Modern Chinese Dramas

作　　者：陈留生 

机构地区：[1]连云港师范高等专科学院,教授222006

出　　处：《江苏社会科学》2009年第4期172-178,共7页Jiangsu Social Sciences

基　　金：国家社会科学基金项目"文学语言的变迁与中国现代文学形式的发展"(项目号:07BZW045)阶段性成果

摘　　要：文章通过对中国现代戏剧语言最初状况的分析,探讨了语言变革的要求如何改变了中国传统戏剧的基本形态,催生了以话剧为主要形态的中国现代戏剧。中国现代戏剧是伴随着当时新出现的新的话语资源、新的话语方式而诞生的,从文明新戏等戏剧创作开始的戏剧语言的革新和变化,为中国现代戏剧形态的确立奠定了基础。通过对中国现代戏剧语言最初状况的分析,可以看出语言变迁与中国现代戏剧形态的确立之间的关系,可以从一个重要的方面去准确地把握中国现代戏剧艺术和文体发展的动因。Linguistic Reform and the Early Forms of Modern Chinese Dramas, by analyzing the initial language of modem Chinese dramas, deals with how the demands of linguistic reforms changed basic forms of traditional Chinese dramas and gave birth to modern Chinese dramas with stage drama as the main form. Modem Chinese dramas emerged along with the emergence of new discourse resources and new discourse patterns. The reform and changes of drama language provide a foundation for the forms of modern Chinese dramas. In conclusion, the analysis of the initial language of modem Chinese dramas reveals the relation between language changes and the forms of modem Chinese dramas, as well as the motivation for the development of modem Chinese dramas.

关 键 词：中国现代戏剧 语言变革 初期形态 

分 类 号：I207.3[文学—中国文学]