《声律发蒙》版本考辨  

The Version Recognition of Rhythm Enlightenment

作　　者：罗江文[1] 赵锦华[2] 

机构地区：[1]云南大学人文学院,云南昆明650091 [2]玉溪师范学院文学院,云南玉溪653100

出　　处：《云南农业大学学报（社会科学版）》2009年第4期103-107,共5页Journal of Yunnan Agricultural University(Social Science)

基　　金：云南省教育厅科学研究基金(07Z40782)

摘　　要：《声律发蒙》是兰茂《韵略易通》之外又一音韵学著述,常被误为仅是练习对对联的童蒙之作,研究者少,甚而作者、书名、内容被张冠李戴。对今所见《声律发蒙》的七个版本作考辨,认为只有清咸丰十年、光绪十九年务本堂刻本及民国务本堂铅印本之初集,以及《云南丛书》本、安顺至宝堂本之二集,才是兰茂的著述。《声律发蒙》也反映了《中原音韵》之后汉语语音的发展变化,其在汉语语音史上的地位应当肯定。Rhythm Enlightenment is another phonology works beyond Introduction To Phonology written by Lanmao. It is often mistaken for only about primary enlightenment works of practicing antithetical couplet, therefore researchers seldom study it, and its author, book title, content are usually confused. Distinguishing seven versions we can collect today, we consider only Wubentang block printed vertion in xianfeng ten years （A. D. 1860）, guangxu nineteen years （A. D. 1893）, Wubentang first vertion of printing copy in the republic of China, the vertion of Yunnan Book Series and the vertion of Zhibaotang in Anshun are Lanmao＇s writings. Rhythm Enlightenment also reflects the development of Chinese phonetic change after the Central Plains Phonology, and its status should be affirmed.

关 键 词：兰茂 《声律发蒙》 版本 音韵学 

分 类 号：K852[历史地理—考古学及博物馆学]