新世纪二胡演奏艺术发展探析  

Probe into the Development of Erhu Performance in the New Century

作　　者：杨松权[1] 任英曙[1] 

机构地区：[1]金华职业技术学院师范学院

出　　处：《浙江艺术职业学院学报》2009年第3期38-44,共7页Journal of Zhejiang Vocational Academy of Art

基　　金：浙江省社科联重点课题研究成果(项目编号:08246)

摘　　要：新世纪中国二胡艺术的发展,一直是民族音乐学家、民乐作曲家和二胡专家共同关注的话题。本文在前人研究的基础上,试从继承传统、借鉴吸收以及创新发展三个层面上,较为全面地阐述二胡演奏艺术在21世纪世界多元文化影响下的发展方向及其展望。The folk musicians, folk music composers and experts on erhu have always focused on the development of erhu art in China in the new century. Based on the achievements of former scholars, the paper comprehensively expounds the development direction and prospects of the performance art of erhu under the multi-cultural influence in the 21 st century from the three aspects of inheriting the tradition, absorption and innovation and development.

关 键 词：二胡 演奏艺术 继承传统 借鉴吸收 创新发展 

分 类 号：J632.2[艺术—音乐]