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作 者:王卓[1,2]
机构地区:[1]济南大学外国语学院 [2]华中师范大学文学院
出 处:《外国文学研究》2009年第4期73-85,共13页Foreign Literature Studies
基 金:王卓主持的国家社会科学基金青年项目"多元文化视野中的美国少数族裔诗歌研究"【项目编号:06CWW007】的阶段性研究成果;"山东省高等学校优秀青年教师国内访问学者项目"经费资助
摘 要:美国黑人女性桂冠诗人丽塔.达夫的诗剧《农庄苍茫夜》是一个与西方经典《俄狄浦斯王》形成了清晰的互文性的后文本。然而,黑人和女性的双重边缘身份决定了达夫对西方经典的改写不会是一个简单的续写、引用或者模仿的过程,而是她基于"世界主义"和黑人女权主义诗学理念之上对"俄狄浦斯情结"的阅读、误读和伦理阅读的创造性阅读和"文本书写"的过程。此多重阅读和写作的文化容量是令人惊喜的:一方面,这个多维度阅读和写作过程是达夫对自己杂糅的文化身份和"世界主义"的诗学视角从焦虑到确立的心理暗战的过程;另一方面也是达夫把诗剧《农庄苍茫夜》悄然地纳入了西方文学经典的框架之中的过程。The Darker Face of the Earth by Rita Dove, the former Afro-American poet laureate of the United States, forms intertextuality with Oedipus King. However, Dove' s double marginal i- dentities as black and woman decide that the process of her rewriting of this Western canon is not a simple adaptation, allusion or parody, but a process of creative reading, misreading and ethical reading as well as a textual writing based on her poetics of cosmopolitanism and black feminism. The cultural capacity of these muhi-readings and writings is pleasantly surprising. On the one hand, this multi-dimensional reading and writing process is Dove' s psychological fighting in se- cret which releases her anxiety about her cultural Mulatto and establishes her cosmopolitanism and black feminism; on the other hand, it is also a process in which Dove' s The Darker Face of the Earth is subtly channeled into the frame of Western canon.
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