五四时期与1980年代艺术争论之比较  

The comparative Study of Artistic Debate in May 4th Period and in the 1980s

作　　者：夏艳萍[1] 李浩[1] 

机构地区：[1]西北师范大学美术学院,甘肃兰州730000

出　　处：《艺术探索》2009年第4期69-71,共3页Arts Exploration

摘　　要：五四时期和1980年代,中国艺术界出现了两次比较大的艺术争论。虽然这两个时期艺术争论的焦点都集中于中西文化冲突、传统与现代的问题,并且1980年代对某些问题的争论是对五四时期争论的延续,但由于所处时代背景不同,两时期争论在所要解决的问题以及对问题的讨论所涉及的深度及广度,对中国画以及对西方现代流派的认识上也存在诸多的差异性。This paper brings a Comparative study on the phenomenon of two larger art debates appeared in the May 4th period and the 1980s in the Chinese art field.The artistic debate in these two periods focused on the conflicts between Chinese and western cultures and the difference between tradition and modern.In spite of this,the debates on some problems in the 1980s are a continuation of the debates in the May 4th period.However,under different background,there are many differences in these two debates in different periods,such as the problems to be solved in the debates,the width and the depth of the discussion on the problems and the understandings of the Chinese painting and western modern schools.

关 键 词：1980年代 五四时期 艺术争论 

分 类 号：J209.2[艺术—美术]