佛教莲花意象及其在六朝诗赋中的意义嬗变  

Lotus Flowers' Image of Buddhism and Its Significance of Evolution in Six Dynasties Poetry

作　　者：刘艳芬[1] 

机构地区：[1]济南大学文学院,山东济南250022

出　　处：《济南大学学报（社会科学版）》2009年第5期14-17,共4页Journal of University of Jinan:Social Science Edition

基　　金：教育部人文社会科学研究项目"六朝诗学与佛教关系研究"(08JC751019);山东省文化厅艺术科学重点课题"中国佛教诗歌艺术研究"(20080099);济南大学博士基金项目"六朝诗学繁荣的佛教文化动因研究"(B0815)

摘　　要：莲花作为佛教的代表性意象,突出了佛的神圣、佛性的净洁和佛法的灵异,这种类型化的意象特征与魏晋流行的佛教般若学一起,共同影响了诗赋莲花意象内涵的类型化和单一性;随着诗学和佛教的不断发展,南朝诗赋中的莲花意象受到涅槃佛性论的影响而呈现出个性化和多样性的审美特征。佛教对六朝诗学莲花意象有明显的影响作用:是佛教的影响,使莲花进入到中国诗人的审美视域;也是佛教的影响,改变了莲花意象的意蕴承继关系,展现出全新的文化面貌。As the representative image of Buddhism,lotus flowers highlighted the inviolability,sanctitude and gnosis of Buddha.Also,Buddhism affected lotus flowers' connotation of typicalness and monotony in Wei Jin poetry.With the development of poetics and Buddhism,the poetry images of lotus flowers in Southern Dynasty were influenced by the Buddha-nature thought,bringing about aesthetic individuality and diversity.Buddhism has the obvious influence function to the lotus flowers image of Six Dynasties poetics:It is the influence of Buddhism which causes the lotus flower to enter to the Chinese poet's esthetic sight;It is also the influence of Buddhism which changed the implication of lotus flower image to inherit the relations and unfolded the brand-new cultural appearance.

关 键 词：佛教 莲花 意象 六朝 

分 类 号：I206.2[文学—中国文学]