论宋代咏物词的两大创作范式  

On Two Major Artistic Creation Paradigms in the Ci Poetry on Objects of Song Dynasty

作　　者：张仲谋[1] 

机构地区：[1]徐州工程学院,江苏徐州221008

出　　处：《徐州工程学院学报（社会科学版）》2009年第4期62-67,共6页Journal of Xuzhou Institute of Technology：Social Sciences Edition

摘　　要：文章把宋代咏物词分为两大创作范式。第一种范式重在摹写物态,具体写法又有状物与体物二种。状物者力求穷形尽相,即"尽物之态";体物者力求潜心于物,以"穷物之情"。第二种范式重在即物言情,具体也可分为两种,一种是托物言志,即借物之特征以寄寓某种人格精神;另一种为因物寄情,即借客观事物作为引发情感的触媒。The Ci poetry on objects of Song Dynasty is divided into two major paradigms in this paper. The first one is focused on imitation, which is subdivided into two approaches, one aiming to recreate all the likelihood of the target objects, the other seeking to dig out all the emotional beauty. The second paradigm lays an emphasis on pouring out emotions over an object, which can also be further divided into two kinds, one taking advantage of the attributes of an object to embody human spiritual pursuits, the other pouring out the emotions triggered by the target object.

关 键 词：咏物词 创作范式 摹写物态 即物言情 

分 类 号：I222.8[文学—中国文学]