毛南族还愿仪式舞蹈“条套”的动作特征与文化内涵——广西环江毛南族民间舞蹈现状考察  

Action Characteristics and Culture Connotation of the Ritual Dancing "Tiaotao" in Maonan Nationality——Survey on the Folk Dancing Situation in Guangdong Huanjiang Maonan Nationality

作　　者：黄小明[1] 赖程程[2] 胡晶莹[1] 

机构地区：[1]广西师范大学音乐学院,广西桂林541001 [2]中国艺术研究院舞蹈研究所,北京100029

出　　处：《艺术百家》2009年第5期184-188,共5页Hundred Schools In Arts

基　　金：2007年度国家社会科学研究基金艺术学项目"广西特有民族民间舞蹈现状田野调查与研究"(项目编号:07BE32)阶段性成果之一

摘　　要：毛南族是我国56个少数民族中的一员,是广西五个特有民族之一。毛南族与其他少数民族一样,有着自己特有的民族风俗习惯与信仰。其中"还愿"(亦称:"肥套")仪式是在毛南族地区影响最为深远的一个民俗习惯,还愿仪式中戴着傩面具的跳神舞蹈——毛南人将其统称为"条套"笔者亲自参加了这次仪式活动,在进行了田野实地调查的基础上撰写本文,针对祭祀舞蹈"条套"的现状、对当地的师公、老艺人以及相关人员进行了采访和访谈,并利用人类学、民俗学、及舞蹈生态学等研究方法,以"条套"为载体,对毛南族仪式舞蹈所具有的特殊动作特征及文化内涵进行研究。Maonan nationality is one of the 56 minority groups in China, and one of the 5 nationalities in Guangxi Province. As other nationalities, Maonan nationality has its unique customs and beliefs. The ＂ votive＂ ritual （also called ＂ Feitao＂ ） is the most influential custom in the Maonan area. In the ritual, people dance with masks, which is called ＂Tiaotao＂ by Maonan people. The present author once took part in the ritual and writes the present article on the basis of field study. He interviewed local people and artists on the current situation of the ritual dance, and applied the approach of anthropology, folk study and dance ecology. With ＂Tiaotao＂ as its media, he studies the unique action characteristics and cultural connotation in the ritual dance of the Maonan nationality.

关 键 词：毛南族 还愿仪式 仪式舞蹈 动作特征 民间舞蹈 文化内涵 

分 类 号：J702[艺术—舞蹈]