试论枚乘《七发》的文化渊源  

On the Cultural Source of Mei Cheng's Qi Fa

作　　者：黄金明[1] 

机构地区：[1]漳州师范学院研究生处,福建漳州363000

出　　处：《漳州师范学院学报（哲学社会科学版）》2009年第3期76-78,共3页Journal of Zhangzhou Teachers College:Philosophy and Social Sciences

基　　金：福建省教育厅社科基金资助项目(编号:JA06119S)

摘　　要：枚乘《七发》绘形、绘声、绘色地展示了音乐之美、饮食之精、车马之盛、游宴之乐、田猎之兴、观涛之壮,悦人耳目,快人心意,结构上"始邪末正",这种独特的内容与形制,根植于中国古代的礼乐文化中,潜藏着一种内在的礼乐文化心理结构。Mei Cheng＇s Qi Fa gives a euphonic and gratifying description of the beauty of music, the delicacy of food, and the grandness of chaises. It also describes very vividly the joy during the bauquets, the prosperity of hunting and the glory of observing waves. Its unique structure in which the author first gives a vivid description and then comes to the truth is rooted in the Chinese ancient Li-yue culture, with an internal psychological structure of the Li-yue culture.

关 键 词：枚乘 礼乐文化 文化心理结构 

分 类 号：I206.2[文学—中国文学]