汉代散乐、百戏与汉代俗乐运动  

Theatricals and Variety Shows and the Popular Entertainment Movement in the Han Dynasty

作　　者：陈维昭[1] 

机构地区：[1]复旦大学中文系,上海200433

出　　处：《复旦学报（社会科学版）》2009年第5期70-78,共9页Fudan Journal（Social Sciences）

基　　金：上海市哲学社会科学规划课题"历代音乐官署的沿革与古典戏曲的历史演进"(项目批准号:2006BWY003)的阶段性成果

摘　　要：对于散乐、角抵、百戏,学界历来多从民间维度进行研究。本文探讨散乐、角抵、百戏在其历史演变过程中与汉代官方体制、官方意识形态的联系。汉代自上而下的俗乐运动和俗乐官署的建置,对汉代俗乐的发展与流变起着极其重要的影响。We used to make research into the theatricals and variety shows in the Han Dynasty from the folk perspective. Now this paper tries to discuss the relations between theatricals and variety shows and wrestling in their development, and the government system and official ideology. The Han Dynasty had seen the thriving of the popular entertainment movement and the establishment of the corresponding institutions.

关 键 词：散乐 角抵 百戏 俗乐运动 乐署体制 官方意识形态 

分 类 号：I206.2[文学—中国文学] K234[历史地理—历史学]