论左翼电影意识形态话语的建构策略及其现实困境  

STRATEGY FOR BUILDING OF LEFT-WING IDEOLOGICAL DISCOURSE OF THE FILM AND ITS REAL DILEMMA

作　　者：欧孟宏[1] 

机构地区：[1]湖南理工学院中国语言文学学院,湖南岳阳414006

出　　处：《云梦学刊》2009年第5期103-107,共5页Journal of Yunmeng

摘　　要：左翼电影文本指左翼作家及其同路人参与制作的进步电影。为了实现其意识形态话语,左翼电影采取了一系列的话语建构策略:采用暴露性的策略直接宣扬阶级意识与民族解放斗争;通过探索女性命运来达到社会批判或者意识形态规劝的目的;以电影歌曲来传达政治观念。但左翼电影在建构其意识形态观念时也遇到了诸多的现实困境,之所以出现这种情况,除了复杂的社会政治环境和文化语境外,与左翼作家本身的唯物机械论、庸俗社会学的左倾观念有着重要关系。政治上的急功近利使得大部分左翼电影颠倒了艺术与政治功用的关系,忽视了电影的娱乐功能。left-wing version of the film refers to the left-wing writers and its sympathizers are involved in the production of the film＇s progress. In order to achieve the above-mentioned ideological discourse, the left-wing film has adopted a series of words building strategy： a strategy of direct exposure to promote awareness of class struggle and national liberation; by exploring the fate of women to achieve critical social or ideological purpose of discipline; to film a song to convey political ideas. But the left-wing film in the construction of its ideological concepts also encountered many difficulties in reality, the reason why this happens, in addition to complex social and political environment, language and culture abroad, with the left-wing writer＇s own mechanistic materialism, vulgar sociology Left-leaning ideas have an important relationship. Political left most of the film makes qu^ck reversal of the political function of art and the relationship between the film ignores the role of the film and entertainment functions.

关 键 词：左翼电影 意识形态话语 建构策略 现实困境 

分 类 号：I207.35[文学—中国文学]