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作 者:路成文[1]
出 处:《阅江学刊》2009年第1期138-143,共6页Yuejiang Academic Journal
基 金:国家社会科学基金青年项目"中国古代咏物文学研究"(08CZW012);广东省哲学社会科学基金项目"咏物传统与文体演进:中国古代咏物文学综论"(07YJ05)
摘 要:唐宋时期,牡丹玩赏之风日盛,以牡丹及牡丹玩赏活动为题材的诗词作品也大量涌现。唐五代北宋牡丹诗词,以赞美牡丹之美艳、歌咏牡丹玩赏活动之繁盛热闹者居多,只有少数篇章对于牡丹及与之相关的奢侈之风进行了批判。中唐以后,牡丹渐成文人士大夫日常生活的重要组成部分,牡丹的生命形态与文人士大夫的命运遭际之间存在着某种同构关系,藉歌咏牡丹以抒写人生感慨的作品频频出现。宋室南渡以后,牡丹诗词主题发生了深刻嬗变,家国之恨成为最重要主题,唐宋牡丹诗词因之具有了深刻的历史文化内涵。In Tang and Song Dynasties, appreciation of peony was very popular. A lot of poems on peony and activities of appreciation peony emerged. Poems of Tang, Five Dynasties, and the Northern mostly praised the beauty of peony the poems criticized the unhealthy life of scholars since the mid-Tang and described the prosperous activities of appreciating peony. Song Dynasty, Only some of tendency of being extravagant. Peony became the important part of the Dynasty. The life forms of peony have some similarities with the fate scholars. Therefore, many poems on peony expressing the poets' own feelings emerged. The theme peony changed a lot since the Southern Song Dynasty. Grief and hate of losing home and nation daily of the of poems on became the most significant theme in the poems. Therefore, the poems on peony of Tang and Song Dynasties have profound historical and cultural connotations.
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