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作 者:于东新[1]
机构地区:[1]内蒙古民族大学文学院,内蒙古通辽028043
出 处:《内蒙古民族大学学报(社会科学版)》2009年第5期38-41,共4页Journal of Inner Mongolia Minzu University:Social Sciences
摘 要:清代诗人边连宝认为词是小道,云"雕虫篆刻,壮夫不为。"但偶尔为词,却也清新疏朗,乃"花间"之流亚。在其学术笔记《病馀长语》中夹杂其词作17首及其妻子李氏词4首。此外他还收录了其友方鸣皋词12首,并认为方氏"诗宗晚唐,小词绝工"。所有这些佚词随着刘崇德先生主编《边随园集》(2007年9月,中华书局)的出版而第一次为世人所知,相信这势必会为当前国家重点古籍整理规划项目——"全清词"之"雍乾"卷的编纂提供重要选本。Bian Lianhao, a poet in Qing Dynasty, deemed that the poem was of little importance, moreover, he claimed that "The common create it, however, having great ideals and assertions ones don't". But, occasionally creating some poems seemed to be very frisky and lucid, which was a branch of "Hua Chien School". There were seventeen poems written by Bian and anther four ones written by his wife included in his academic note Bing Yu Chang Yu. Besides that, this note included Bian's friend, Fang Minggao's twelve poems as well, and Bian evaluated Fang's works"root in late Tang Dynasty, and his minor poems are implicitly careful and neat". With the publishing of Liu Chongde's Bian Sui Yuan Ji (published by ZhongHua ShtJu, in 9, 2007), all of these scatter and disappear poems were known firstly. The writer of this paper firmly believe that this will be bound to provide significant anthology for the compilation of"Heavenly Purity Volume" of "All Qing Volume", which belongs to the current country's focal point ancient books arranging and planning project.
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