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作 者:刘保亮[1]
出 处:《内蒙古大学学报(哲学社会科学版)》2009年第5期92-96,共5页Journal of Inner Mongolia University(Philosophy and Social Sciences)
基 金:河南省哲学社会科学规划项目(项目批准号:2008FWX013);陕西师范大学研究生培养创新基金资助项目(项目批准号:2008CXB005)
摘 要:家园是人类心灵深处永恒的依恋和风景。阎连科小说的家园意识热情高昂而又诗意氤氲。其自然家园充满着对现实社会的厌弃和对生命自由状态的崇尚,具有浓郁的"桃源"色彩。童年家园以纯真清澈的童心之境对迷途人生进行启悟棒喝,对蒙尘生命实行深度清洗。宗教家园虽然未能成为心灵栖居之地,但作家以"诗经"寻找精神家园的秘径,却敞开了无边无际的乌托邦想象。Homestead is the eternal attachment deep in every single human being's soul. The aspiring and passionate home consciousness in Yan Lianke's novels is covered with thick poetic atmosphere. In his novels, the natural homestead, filled with the author's rejection of social reality and adoration of life and freedom, resembles the Arcadia. Childhood homestead, world of innocence, enlightens those who went astray and purify/cleanse those dusted souls. Although not the ideal habitat where souls would rest, religious homestead, with the author's profound comprehension of the spiritual homestead in "The Book of Songs", provides a path to the boundless imagination of Utopia.
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