清中叶山左诗人与性灵说  

The Poets in Shandong and the Poetry Theory of Xingling in Mid-Qing Dynasty

作　　者：石玲[1] 

机构地区：[1]山东师范大学齐鲁文化研究中心,山东济南250014

出　　处：《齐鲁学刊》2009年第5期117-122,共6页Qilu Journal

摘　　要：江南性灵诗说盛行的清代乾隆时期,山左诗坛则在经历了顺治、康熙两朝"甲于天下"的极度辉煌之后逐渐趋于寥落,诗歌创作的重心移向南方。性灵说标举自我,张扬个性,带有鲜明的叛逆色彩,它在儒家文化深入人心的齐鲁腹地影响并不大,所影响到的是宦游南方的山左诗人,但即便在这样一个接受群体中,抵触也还是大于认同。这种现象体现了齐鲁传统文化与性灵说个性意识的冲突。In Emperor Qianlong period of Qing Dynasty , when the poetry theory of Xingling was prevalent in the South, the field of poetry in Shandong had been fading after experiencing two extremely brilliant period of Shunzhi and Kangxi , and the focus of poetry writing had shifted to the South. The poetry theory of Xingling valued self-awareness and personality with a distinctive color of treason. The poetry theory of Xingling had little impact in the hinterland of Qilu where the Confucian culture enjoyed popular support, but had more impact on tl＇/e poets who were native of Shandong, but acted as officials in the South . Even in such a accepting group, It is also inconsistent more than agreeable. This phenomenon reflects the conflicts between Qilu traditional culture and sense of personality of the poetry theory of Xingling.

关 键 词：清代中叶 山左诗人 性灵说 

分 类 号：I206.2[文学—中国文学]