论超越审美的“工农兵”形象符号——《诗刊》(1957-1964)“工农兵诗歌”研究  

Discussion on the Symbol of the Transcendental Aesthetic Image of the "Peasants and Soldiers"——Study of "Peasants and Soldiers" Poetryin Poem (1957-1964)

作　　者：巫洪亮[1,2] 

机构地区：[1]福建师范大学文学院,福建福州350007 [2]龙岩学院人文与教育学院,福建龙岩364000

出　　处：《廊坊师范学院学报（社会科学版）》2009年第5期19-23,共5页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：2008年福建省教育厅A类社会科学资助项目(JA08202S)

摘　　要："工农兵"是《诗刊》(1957-1964)"工农兵诗歌"中极为重要的意象。创作主体以超越审美的方式对它进行重构与想象,并最终完成了合乎时代理性诉求的完美化"工农兵"形象的建构。符号化的"工农兵"形象,有效地参与到"十七年"民族文化和时代理性的重构过程之中。它既激发了人们对新的民族国家的现代想象,又锻造了一种新的民族国家精神;既确证了民族国家的合法性,又为知识分子的身份认同提供了重要的平台;既简化了人们对时代精神的认知与接受,又让人们在虚拟的镜像中收获激情与快感。The ＂Peasants and Soldiers＂ is an important image in the ＂Peasants and Soldiers＂ poetry of Poem （1957-1964）. The creative body, by transcendental aesthetic modes, reconstructed and imagined it and finally finished the construction of the perfect image of the ＂Peasants and Soldiers＂, which is socially suitable for the rational pursue. The symbolized ＂Peasants and Soldiers＂ image has already effectively been in the reconstructing process of the ＂Seventeen Years＂ national culture and epochal rationality. It has not only stimulated people＇s modern imagination of the new national-state, but also forged a new national-state spirit; not only confirmed the legitimacy of the national-state, but also provided a important platform for the intellectuals＇ recognition of identity; not only simplified people＇s cognition and acceptance of the epochal spirit, but also let people harvest passion and delight from the virtually hermitian image.

关 键 词：《诗刊》 “工农兵”形象 符号 价值 

分 类 号：I207.2[文学—中国文学]