主体性:中外历史题材艺术作品的灵魂——《启跸回銮图》与《伊苏斯之战》比较  

Subject: The Soul of Art Works on Historic Theme Both at Home and Abroad——A Comparative Study of"Qi Bi Hui Luan Picture"and "Isuss Battle"

作　　者：吴禾[1] 罗靖[2] 

机构地区：[1]泰山学院美术系,山东泰安271021 [2]泰山学院外语系,山东泰安271021

出　　处：《泰山学院学报》2009年第5期47-52,共6页Journal of Taishan University

摘　　要：《启跸回銮图》和《伊苏斯之战》作为两幅反映中外重大历史题材的经典杰作,具有鲜明的艺术主体性。在艺术语言上,前者采用了散点透视和粉本模具法,构图布局严谨、疏密相间,色彩艳丽醇厚、对比鲜明;后者采用了焦点透视和石片镶嵌工艺,构图上轻下重、对比强烈,色彩中性暖色、温文尔雅。两幅作品塑造的艺术形象都是特定时代精神的主体性折光和作者个人精神情感的物态化表现。两幅作品隐藏着丰富的艺术意蕴,它们都是为统治政权服务,并蕴涵着中西方不同的文化价值观念和宗教信仰观念。＂ distinct subjects. Qi In Bi Hui Luan Picture＂and ＂Isuss Battle＂ are two masterpieces of art on history that have art language, the former adopts free perspective and powder mould, whose arrangement is well-knit and the colors are bright; while the latter adopts focus perspective and scabbling mosaic, whose composition has sharp contrast and the colors are refined and cultivated. The two art works are the symbols of subject at certain ages and the expression of the artist＇s spiritual emotion. The works possess rich artistic implications, which serve the dominent authorities and get their different cultural values and religious beliefs.

关 键 词：主体性 灵魂 艺术语言 艺术形象 艺术意蕴 

分 类 号：J205[艺术—美术]