由安东尼奥尼的作品浅谈电影中的城市意识  

On City Consciousness in Michelangelo Antonioni's Movies

作　　者：赵寻[1] 

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《中北大学学报（社会科学版）》2009年第5期83-86,共4页Journal of North University of China：Social Science Edition

摘　　要：世界范围内的城市化将人类文明带入了一个新阶段。城市化不仅改变着人们的生活方式,也影响着城市人的心理状态。电影大师们正是出于对这种对心态的准确把握,从而在记录一个时代的时代风貌的同时,可以准确地抓住这个时代的内核,使得影片增加了艺术含量和感染力,成为了揭示人类心灵的不朽的艺术佳品。中国大陆的导演着重于表现农村题材和传统文化,对于城市文化和市民心理的表现较少。城市意识在电影中的渗入是电影在现代社会中发展的必经之路。Human civilization enters a new stage with the advent of the international urbanization which has been forging so different a life style ever seen in history and affecting the citizen＇ s psychology. Such realization arouses the aspiration in the distinguished movie-makers, thus they could accomplish the splendid integration of the scene and the spirit of the times in their movies, rendering the movies much more aesthetic and effective which finally turn into the unperishing artistic masterpieces presenting the human spirit. Compared with the rural subject matter and the traditional cultUre usually employed in the movies made in China's Mainland, the urban culture and the citizen＇ s psychology are rarely presented in such movies; however, the city consciousness will inevitably be mixed into Chinese movies in the process of their modernization.

关 键 词：城市意识 安东尼奥尼 中国电影 

分 类 号：J951[艺术—电影电视艺术]