台湾客家文学中的客家婚礼仪式  

Hakka Wedding and Ceremony in Hakka Literature in Taiwan

作　　者：段馨君[1] 

机构地区：[1]台湾交通大学客家文化学院人文社会学系

出　　处：《赣南师范学院学报》2009年第5期23-28,共6页Journal of Gannan Teachers' College(Social Science(2))

基　　金：江西省社会科学规划办课题"从文艺法学建构客家民间文学研究新模式"(08WX55)

摘　　要：在台湾四部客家文学作品《寒夜》、《笠山农场》、《相亲》与《福春嫁女》中,蕴含丰富的台湾客家婚礼仪式的信息及意义。本文根据西方表演研究理论中布西亚的"模拟"概念和葛特玛的"本文与诠释"论述,来研讨台湾客家文学反映现实人生思想、文本诠释与表演再现。如在李乔的《寒夜三部曲》中的上篇《寒夜》中,婚姻是一种人力资源的契约,婚礼是实行一种签约的仪式;钟理和的《笠山农场》透过小说的形式,抗议台湾早期客家庄内禁止同姓结婚的根深蒂固旧礼俗;黄娟的短篇小说《相亲》,检视女姓对于自由恋爱与相亲的挣扎,年轻一代追求婚姻自主权;台湾首出客家歌舞剧《福春嫁女》,在舞台上戏剧化地模拟实际生活,再现了客家传统礼俗及现代婚礼。This paper explores Hakka wedding and ceremony in the four literary works in Taiwan, including The Farm on Li Moun-tain, Chilly Night, Interview Prior to Marriage and My Daughter＇s Wedding, and interprets their meanings. Applying Jean Baudrillard concept of simulation in the western theory of Performance Studies and Hands-Georg Gadamer＇s idea of text and interpretation, the issues of literature reflects human thought in real life, interpretation of text and the representation of performance will be discussed. In Li Chiao＇s first part Chilly Night in the length novel The Trilogy of Chilly Night, marriage is a kind of labor contract ; wedding is a sort of signing-contract ceremony. Chung Li-Ho＇s The Farm on Li Mountain, by way of novel, protests the old embedded custom which prohibited the lovers who have the same family name from getting married. Hwang Chuan＇s short novel Interview Prior to Marriage examines women＇s struggle between love at one＇s own free will vs. interview prior to marriage, and the young generation looks for freedom to have his/her own choice in marriage. Adapting from Shakespeare＇s play The Taming of the Shrew, My Daughter＇s Wedding, the first Hakka musical in Taiwan, uses retheatricalization on stage to do simulation to mimic the real life, and represents the traditional Hakka wedding custom and modern western-style wedding.

关 键 词：台湾客家文学 客家婚礼仪式 《寒夜》 《笠山农场》 《相亲》 《福春嫁女》 

分 类 号：K892.22[历史地理—民俗学]