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作 者:李洲良[1]
出 处:《河北学刊》2009年第6期110-115,共6页Hebei Academic Journal
基 金:2007年度教育部人文社会科学基金一般项目<春秋笔法与中国文学的叙事传统>(07JA751027)
摘 要:中国文化是用诗性的话语来表达的。《周易》之象、《诗经》之兴、《春秋》之笔,是中国文化诗性话语的三种表现模式。其中,易象用以寓理,诗兴用以抒情,史笔用以叙事。易象包括卦爻象、卦爻辞两部分,后者是对前者的解释,但不是抽象的逻辑的哲学阐释,而是直观的形象的诗性描述。从整体上说,易象是隐喻,是象征,易象所蕴涵的道理是宗教的,哲学的,但表达方式是文学的,象征的。《周易》以"立象尽意"的方式传达出对世界诗意解读,易象也就成为隐含《周易》易理的诗性载体。Chinese culture is expressed in poetic language, which is manifested in 3 forms --the image of Chou Yi, the rising of Book Of Songs and the writing technique of Spring And Autumn. the image of Chou Yi is for holding ideals, the rising of Book Of Songs for expressing feelings, and the writing technique of Spring And Autumn for narrating, the image of Chou Yi include images and words of lines on a trigram, and the latter is the explanation for the former in intuitionistic, visual and poetic words, instead of logistic and nonfigurative ones. Overall, the image of Chou Yi is metaphor and symbol, and the ideals in it is philosophical and religionary, but it is expressed in a literary and symbolic way. As Chou Yi expresses ideals through images, the image of Chou Yi becomes the poetic carrier of the ideals.
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