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作 者:杨景龙[1]
出 处:《西南大学学报(社会科学版)》2009年第6期30-32,共3页Journal of Southwest University(Social Sciences Edition)
基 金:国家社科基金项目"中国古典诗学与20世纪新诗"(09BZW038);项目负责人:杨景龙
摘 要:20世纪的新诗名家,大都有着深厚的古典诗学背景和诗艺渊源。这些新诗名家分两种情况:一种是现身说法,坦承自己新诗创作与古典诗学的密切联系;另一种是虽未明确表述过自己对古典诗学的纵向师承,但其新诗创作得力于古典诗学之处仍斑斑可见。关注新诗名家与古典诗学的承传关系,对于打通中国诗歌史、提升新诗创作和理论批评水准、构建具有民族特色的现代诗学体系均有补益。Most of the famous poets of the 20th century have a deep background and poesy origins in classical poetry. They come into two groups. The first group admitted that their own creativity was closely related to classical poetry and poet- ics; the other group did not clearly state that their creation was affected by the classical poetics, but the effect of the clas- sical poetics in their poems is still visible. Attention to the relationship between today's poets and classical poetry can help us to get a complete understanding of the history of Chinese poetry and to enhance the standards of creation and poetry theory criticism. Also it is beneficial to form the national characteristics of modern poetic system.
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