诗歌:意境营造与意象的拼接组合  

Poetry: the Combination of Artistic Conception Creation and Image

作　　者：胡晓靖[1] 

机构地区：[1]信阳职业技术学院科研处,河南信阳464000

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2009年第6期71-74,共4页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

基　　金：河南省哲学社会科学规划项目"豫南民歌与当代信阳诗歌创作研究"阶段性成果;项目编号:2008FWX015

摘　　要：对于诗歌而言,意象是取自客观事物表象、蕴含诗人思想感情和人生哲理、用语言文字显现的诗意形象。意象的拼接组合直接影响诗歌意境的生成。诗歌中意境营造与意象的拼接组合分三方面:直接拼合,即并置——在横向的空间里拼接组合意象;间接拼合,即流动——在纵向的时间内拼接组合意象;立体拼合,即叠加——在交错和跨越的时空中拼接组合意象。因此,在诗歌创作过程中,诗人要用意象营造意境,就必须对意象与意象之间的拼接、组合进行一定的归纳和梳理。只有掌握了意象与意象之间的组合规律,出神入化地对意象进行磨合、拼接,才能使诗句生辉、意境灿烂。As for poetry, the image is taken from the objective appearance of things, and it implies the poets＇ thoughts, feelings and philosophy of life, and it is shown with poetic language and letters. Image stitching combination has a direct impact on the creation of artistic conception. As a result, in the poetry creation process, if a poet wants to use images to create an artistic conception, he/she must generalize and hackle the splicing and combination among images. Only by mastering the combination rules among the images and splicing the images skillfully can a poem be written with a brilliant conception. This paper has concluded the splicing methods from three aspects, i.e. direct joining together, indirect joining together and three-dimensional joining together. At the same time, it also discusses the significance of the three joining ways on the creation of the poetry artistic conception.

关 键 词：诗歌 意境营造 意象 拼接 组合 

分 类 号：I207.21[文学—中国文学]