陶渊明与华兹华斯美学风格差异缘由新探——兼论中西宇宙意识的制约与文化规则的生成  

New Analysis on Reasons of Aesthetic Styles Differences of TAO Yuanming and William Words worth's Works——On the Restriction of Universe Views and the Formation of Cultural Systems

作　　者：涂慧[1] 

机构地区：[1]北京师范大学比较文学与世界文学研究所,北京100875

出　　处：《湖南人文科技学院学报》2009年第5期75-78,共4页Journal of Hunan University of Humanities,Science and Technology

摘　　要：创作心境与创作理念的不同,导致诗人陶渊明与华兹华斯对审美观照对象的处理方式各异,使二者诗作形成不同的美学风格:自然客体在前者诗作中是审美观照的主体对象,形成陶诗重直观重体悟的思维方式与淡逸闲远的美学风格;在后者诗作中则是引发诗人沉思或承载诗人情感的媒介,形成华诗重分析重逻辑的思维方式与崇高深邃的美学风格。二者诗作在美学风格上的差异,归根结底是源于中西文化系统中对宇宙本原的认识差异,这种差异影响并形成中西截然不同的美学机制与文化规则。Different creation mind and concepts influence the way that TAO Yuanming and William Wordsworth deal with the aesthetic objects in their works. In the poetries of TAO Yuanming, the objects of nature are the aesthetic focus of the poet, which however, are the medium for the medi- ation or the emotion of the poet in William Wordsworth＇ s works. The different views about the origin of the world in Chinese and Western cultural systems influence the different aesthetic concepts and cultural systems. TAO Yuan--ming were influenced by their traditional universe views and aesthetic concepts in their cultural systems.

关 键 词：陶渊明 华兹华斯 意境 宇宙意识 美学机制 

分 类 号：I106.2[文学—世界文学]