论新感觉派唯美—颓废视角下的城市空间  

New Feeling to Send Aesthetic-decadent Perspective Urban Space

作　　者：张磊[1] 

机构地区：[1]西南大学文学院,重庆400715

出　　处：《宝鸡文理学院学报（社会科学版）》2009年第5期80-84,共5页Journal of Baoji University of Arts and Sciences：Social Science Edition

摘　　要：新感觉派作为30年代上海的一个具有独特风格的唯美—颓废主义流派,其作品具有浓厚的唯美、颓废特征,尤其在对城市空间的刻画上,与当时的左翼、京派作家形成明显的差异。新感觉派作家将客观的城市空间主观化、感觉化,并把自己独特的审美体验融入到对城市的体验当中,使得上海成为一个具有唯美—颓废气息的都市,生活在其中的人们也因此染上了唯美的视觉色彩和颓废的精神色彩,即使借助宗教崇高的空间、乡村淳朴的空间也无法完成对这唯美—颓废城市空间的救赎,从而陷入了毫无希望的生活幻想当中,无法自拔。New Sensation 30 years in Shanghai as a unique aesthetic style -- decadent genre, his work has a strong aesthetic, decadent characteristics, particularly in the portrayal of the urban space, and then left--wing, Beijing sent a clear writer, the formation of differences. The new writers will feel represented the urban space of subjective and objective--oriented, feeling oriented, and to its own unique aesthetic experience into the experience of the city which made Shanghai into an aesthetic -- the decadent atmosphere of the city, in which people live and therefore infected with the visual aesthetic colors and decadent spirit of color, even with the noble religion of space, rural simplicity of the space can not be completed this aesthetic -- the salvation of the decadent urban space, which fell into hopeless fantasy life which can not be to extricate themselves.

关 键 词：新感觉派 唯美 颓废 城市空间 

分 类 号：I206.6[文学—中国文学]