浅论袁可嘉对中国现代诗学体系的建构  

Research on Yuan Kejia's Construction of Chinese Modernism

作　　者：邹爱芳[1,2] 

机构地区：[1]浙江大学图书馆 [2]浙江大学,在职研究生杭州310028

出　　处：《浙江社会科学》2009年第11期105-108,共4页Zhejiang Social Sciences

基　　金：浙江省政府资助项目“二十世纪浙江省外国文学研究史”阶段性成果之一,项目代码为56101-T20601

摘　　要：袁可嘉借鉴西方现代派诗学理论,用"包含的诗"修正象征主义纯诗疏离现实的倾向,拓展了新诗的表现内容;他对人生经验与诗经验的关系、艺术的象征性、诗歌的玄学性等的论述,纠正了新诗大众化后偏离诗的本体发展的倾向。综合两股诗潮之后,他构建了一种"中国式"的现代诗学体系,即现代诗歌是现实、象征、玄学的新的综合传统。Yuan Kejia,using the theory of western modernist poetics for Reference,created the term of 'Comprising Poem' to enlarge the vision of 'Pure Poem' which tended to be far away from reality.By setting appropriate relation between life experience and poetic experience,exploring the symbolic and metaphysical characteristics of art,he also advocated the poetic characteristics which were ignored by the 'New Poetry' after its popularization.Integrating these two aspects,Yuan Kejia constructed the system of Chinese modernism poetics,which means modern poets be the new synthetic tradition of realism,symbolism and metaphysical characteristics.

关 键 词：袁可嘉 新诗 现代主义 

分 类 号：I207.25[文学—中国文学] I052