中国早期流行歌曲与女性书写  

Popular Songs and Female Descriptions Between 1927 and 1949 in China

作　　者：陈伟[1] 李琼[1] 

机构地区：[1]上海师范大学都市文化研究中心,上海200234

出　　处：《上海师范大学学报（哲学社会科学版）》2009年第6期85-91,共7页Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)

基　　金：国家社科基金"中国文艺美学对西方的影响"(08BZW012)

摘　　要：从女性对新价值观的呼唤、女性情怀的抒发以及女性书写的美学价值与社会意义三个维度,探析中国1927—1949年流行歌曲的女性主题这一内涵。中国早期流行歌曲对时代女性的书写,开拓和建立了流行歌曲与城市女性互相言说的一种契合关系,这种契合对都市文化走向性别双性化文化的发展以及构建和谐的双性别文化起到了积极的作用,创造了一个"双性和谐"的都市文化空间,并积极推动了社会文明的发展。This paper discusses and analyzes the theme about females in the popular songs composed between 1927 and 1949 in China from three dimensions： women＇ s appeal to new values, expression of women＇ s feelings, as well as aesthetic value and social significance of descriptions of women. The paper points out that descriptions of modern women in early popular songs opened up and established a kind of compatible relationship between popular songs and urban women, with the former speaking for the latter, and the latter singing the former. This agreeable relationship played an active role in enabling urban culture to develop toward bisexual culture, as well as in constructing a harmonious bisexual culture. Thus, it created an urban cultural space for bisexual harmonization and actively pushed social civilization forward.

关 键 词：流行歌曲 女性觉醒 女性视角 双性和谐 都市文化 

分 类 号：G122[文化科学] J60[艺术—音乐]