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作 者:胡璟[1]
机构地区:[1]武汉理工大学文法学院新闻传播系,湖北武汉430062
出 处:《北京科技大学学报(社会科学版)》2009年第3期81-85,共5页Journal of University of Science and Technology Beijing(Social Sciences Edition)
摘 要:海派狭邪小说首次把妓女与上海这两个形象结合起来,形成了一种文学模式。海派狭邪小说中,妓女成为上海的生活方式与意识形态的代表者,对妓女的想像就代表着对上海的想像。而时人对上海都市的邪恶想像,也使得海派狭邪小说对妓女作"溢恶"的夸张描写。女性想像与上海城市想像关系的另一种文学表达,就是海派狭邪小说中独特的妓女专用"吴语"表述。讲"苏白"的妓女和"上海",在海派狭邪小说里奇妙地结合起来。女性想像与上海都市想像从某种意义而言,已开始互为一体。For the first time, the depravity romances of Shanghai link the image of prostitutes with that of Shanghai, and form a literaxy mode. In the depravity romances of Shanghai, prostitutes become the representative of way of life in Shanghai and its ideology, and imagination of prostitutes stands for imagination of Shanghai. And modern people's evil imagination to Shanghai leads to the exaggerated description of "overflow evil"of prostitutes. Another literary expression of the relation between women imagination and Shanghai imagination is the unique "Wu" statements used by prostitutes. The prostitutes speaking'Su Bai" and "Shanghai" are combined in the depravity romances of Shanghai.
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