曹禺与易卜生家庭剧中出走主题探微  

Research of Fleeing Theme in Cao Yu and Ibsen's Dramas

作　　者：崔俊勇[1] 

机构地区：[1]河南财经学院成功学院,河南巩义451200

出　　处：《广东农工商职业技术学院学报》2009年第4期68-71,共4页Journal of Guangdong Agriculture Industry Business Polytechnic

基　　金：湖南省社会科学基金项目(07YBB270)

摘　　要：易卜生和曹禺的家庭剧都成功塑造了一批出走型人物。易卜生笔下的突围人物以易卜生式的个人主义、人道主义为探寻动力,在对现实问题的揭示中昭示出走人物的决绝态度,表现出对个体与自我精神向度的开掘;曹禺笔下的出逃人物以个性解放、自我拯救为动力,在对现实问题的解答中昭示出走人物的迟疑态度,表现出对群体与社会物质向度的拓展。这种与他们各自生活的时代背景和文化传统有密切关系的差异性导致了不同的戏剧张力。This article aims to explore the theme of escape in Ibsen and CAO Yu＇s family dramas. In Ibsen＇s dramas, the characters of fleeing inquired individualism and humanitarian as the power, the leaving characters＇ adamant attitude is declared by means of revealing the realistic questions so as to display the rootling of the individual and self- spirit. The characters of fleeing in CAO Yu＇s dramas inquired the liberation of personality individualism and personality as a driving force. Their answer to the question of reality shows the attitude of hesitation, and demonstrates the material and social dimensions of development. These different life are closely to their times and respective backgrounds and cultural traditions which led to a different theater＇s tension.

关 键 词：易卜生 曹禺 家庭剧 出走人物 

分 类 号：I106.3[文学—世界文学]