“塑圣”杨惠之的雕塑艺术  

"SCULPTURE SAGE" YANG HUIZHI'S STATUARY ART

作　　者：董乐意[1] 

机构地区：[1]南阳理工学院艺术设计系,河南南阳473004

出　　处：《南阳理工学院学报》2009年第2期53-55,共3页Journal of Nanyang Institute of Technology

摘　　要：杨惠之做的雕塑,从形式上看有两大特点:第一是"塑",属于雕塑中的加法,他较少制作雕刻艺术,最突出成就也是泥塑艺术。第二是对雕塑进行着色妆彩。杨惠之的画技不输于吴道子,故而对雕塑妆彩后,显得更为生动逼真。他是唐代第一个把写实风格引入雕塑艺术的人,他的泥塑作品能较好的抓住人物的外貌特征与神情特点,这在当时被认为合乎相术,时人称为"古今绝技"。他成功地把张僧繇的绘画风格运用到雕塑方面,有"天下第一"的盛誉,赢得了与"画圣"吴道子同等地位的称谓——"塑圣"。Sculpture created by Yang Huizhi , formally has two major characteristics： First is ＂molds clay figurines＂, belongs to the sculpture addition, His few manufacture carving art, the most prominent achievement is also clay sculpture art. Second is carries on the color to the sculpture. Yang Huizhi＇ s drawing attainments do not lose to Wu daozi, therefore after sculpture color, appears more vivid lifelike. He is the first person to introduce practical style into statuary art in Tang Dynasty. His clay sculpture work can hold character appearance and facial expression characteristics well, this was considered at that time that suits the facial features, so was called ＂the ancient and modern unique skill＂. He utilizes successfully Zhang Sengyao＇ s drawing style to sculpture aspect, and has the high reputation of ＂the first under heaven＂ . He has won the equal status name ＂sculpture sage＂ with ＂the picture Sage＂ Wu Daozi.

关 键 词：塑圣 彩塑家 壁塑 影塑 浮塑 

分 类 号：J305[艺术—美术]