论韩少功新世纪中短篇小说叙事的世界性因素  

Worldwide Factors in Han Shaogong's Novella and Short Fiction Narrative of the New Century

作　　者：胡俊飞[1] 

机构地区：[1]长江师范学院文学与新闻学院,重庆涪陵408100

出　　处：《湖南工业大学学报（社会科学版）》2009年第6期78-82,共5页Journal of Hunan University of Technology(Social Science Edition)

基　　金：国家社会科学基金研究项目"九十年代长篇小说研究"(05BZW004)

摘　　要：韩少功新世纪中短篇小说在文体探索与叙事革新上做出了种种努力。具体表现为:布满空白、结局不确定的开放式结构,将读者拉入小说创作及其意义生成过程中;充斥全篇的叙述自我指涉,将事件各种可能的结局并置,使小说承担起破解"生活的丰富性与人生的多种可能性"功能;以貌似轻佻油滑的叙述流,述说实则沉重严肃的故事,达到"以轻写重"的张力效果;非个性化的叙事人在多重身份间转换述说,使得小说避免了单一的宏大或私人叙事的陷阱。韩少功这些探寻小说形式可能性的努力,为小说文体的长足发展拓宽了道路,成为中国作家融入世界文学的重要表现。Efforts of all sorts are made in style exploration and narrative innovation by Han Shaogong for his novellas and short fiction of the new century.They include open structures with blanks and uncertain endings,which draw the reader into the fiction creation and meaning producing.The whole narration refers back to the narrator and all possible endings are co-ordinated so that the fiction is able to ＂interpret life＇s complicity and possibilities＂.What looks like frivolous slick narrative is in fact telling serious stories.Non-individual narrators transform narration with multiple statuses helping the novel avoid the trap of a grand single narration or private narration.These tries of Han Shaogong＇s about the possible fiction forms expand the road of fiction style and they definitely show that Chinese writers have become part of world literature.

关 键 词：韩少功 新世纪中短篇小说 小说文体革新 世界文学 

分 类 号：I24[文学—中国文学]