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作 者:倪玉湛[1]
出 处:《艺术百家》2009年第6期184-188,共5页Hundred Schools In Arts
摘 要:红山文化的"勾云形"类玉器,主要有"勾云形"器和"带齿兽面纹佩"两种,造型均比较奇特。有关这两种玉器的诸多问题,学界尚未达成统一意见。本文在前人研究的基础上,对它们的装饰母题、大致的演化及相互的关系再作探讨。认为"勾云形器"为龙的演化,"带齿兽面纹佩"为鸮的变体,二者最初的构形均与红山玉龙有关,它们形制的发展演化,仍遵循由具体到抽象、由写实到图案化的普遍规律,这一规律还可从钻孔工艺的精进和佩戴方式的改变中寻求到证据。There are two main types of hook - cloud - shaped sort of jades in Hongshan culture: the hook - cloud shaped jades and the teeth and animal - face shaped jades. Both of them are very particularand mystic. But many questions of them have not come to an agreement in the academic community. In this paper, the decorative motif of the jades, the evolution of the jades, and the correlation of their shapes will be discussedon the basis of the former study. It is concluded that the hook - cloud jades evolved from the jade dragon, the teeth and animal - face shaped jades is the variant shape of the jade owl. Both of their shapes are relevant to the jade dragon originally. The evolution pattern of their shapes is from the concrete to the abstract. Accompany this process, the drilling technique and the wear fashion also evolved.
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