从巴赫金的对话理论看《麦克白》的自我意识  

On the Self Awareness of Macbeth from Bakhtinian Perspective

作　　者：华泉坤[1] 张浩[2] 

机构地区：[1]安徽大学外语学院,合肥230039 [2]合肥工业大学外国语学院,合肥230009

出　　处：《合肥工业大学学报（社会科学版）》2009年第6期61-66,共6页Journal of Hefei University of Technology(Social Sciences)

基　　金：安徽省高校青年教师科研项目(2007JQW005);合肥工业大学教学研究项目(XJ2009014)

摘　　要：根据巴赫金的复调对话理论,结合《麦克白》剧中的几个典型"对话"情景,指出该剧中尤其是主人公麦克白覆灭过程中的自我意识一直是剧本关注的焦点,探讨这种诱惑支配下的自我意识如何在麦克白与女巫、女巫与班柯"狂欢"中的对话,麦克白夫人和麦克白的独白性对话等不同声音中得以凸显,让读者和观众感受到人性在野心驱使下的堕落的真实过程。Based upon Bakhtin＇s polyphony theory and the pertinent dialogical episodes in the Macbeth, the author argues that either the dialogue among Macbeth, the Witches and Banquo in the Carnival atmosphere or the soliloquies of Lady Macbeth and so on and so forth truthfully highlights the self- awareness of the downfall of human nature under evil pressure which constitutes a chief thematic con cern of the tragedy. Also this self-awareness is often ironically presented in the dialogues between characters and the dialogical soliloquies of the protagonists.

关 键 词：麦克白 狂欢 对话 自我意识 

分 类 号：I106.3[文学—世界文学]