石窟壁画的材料表现与岩彩画的探讨  

A Probe on Material in Grotto Fresco and Colorful Rock Paintings

作　　者：何韵旺[1] 

机构地区：[1]华侨大学美术学院,福建泉州362021

出　　处：《华侨大学学报（哲学社会科学版）》2009年第4期125-130,共6页Journal of Huaqiao University(Philosophy & Social Sciences)

摘　　要：首先对传统石窟壁画的制作以及壁画材料性质特征的简要介绍;其次探讨壁画的现状模写与一般临摹的区别以及现状模写的实际意义,并且提出石窟壁的画材料表现、现状模写对当代岩彩画的指导作用和当代岩彩画的审美等问题;最后简要回顾了现代岩彩画发展的基本轨迹,以此来论述传统石窟壁画材料表现在当代的继承与发展。Firstly, this paper briefly introduces the traditional methods and the material features of the frescoes. Secondly, it probes the distinctions between general copy and fresco-itself replication and realistic significance of the replication. Fur- thermore, it reveals that the material-expression and replication of grotto frescos have an instructive function and aesthetic meaning for the contemporary rock color painting. Finally, there is a brief review on the history of rock color painting, explicating the new material-expressing development of traditional grotto frescos in the contemporary world.

关 键 词：克孜尔壁画 材料 岩彩画 

分 类 号：K879.41[历史地理—考古学及博物馆学]