徐悲鸿写实主义内涵及特征  

Connotation and Features of Xu Beihong's Realism

作　　者：刘少牛[1] 

机构地区：[1]南京工程学院艺术与设计学院,江苏南京211167

出　　处：《南京工程学院学报（社会科学版）》2009年第4期28-31,共4页Journal of Nanjing Institute of Technology：Social Science Edition

摘　　要：徐悲鸿取法西方古典写实绘画,力倡用写实主义改造中国画,强调"尽精微,致辞广大",直接"师法造化"。作为中国油画一代写实主义大师,他在中国美术界的地位是无人能与之比肩的,他所建立起来的学院派写实绘画体系,指明了20世纪中国油画的主流方向,他的艺术成就和美学思想影响了整个20世纪中国美术的发展。Xu Beihong attempted to reform Chinese painting by learning from the Western classical realist painting techniques and by adopting realistic painting method, highlighting the spirits of ＂extending in breadth and greatness＂ and ＂learning from nature＂. Xu Beihong, a great master of realistic oil paintings, is incomparable with regard to his position in Chinese oil painting area. Furthermore, the realistic painting system established by Xu Beihong laid a foundation for the mainstream of Chinese oil paintings in the 20th century.

关 键 词：徐悲鸿 中国油画 写实主义 

分 类 号：J205[艺术—美术]