略论金城与中日美术交流  

Discussion on Jin Cheng and Artistic Exchange Between China and Japan

作　　者：陈美珍[1] 

机构地区：[1]西南民族大学艺术学院,四川成都610041

出　　处：《湖州职业技术学院学报》2009年第4期75-78,共4页Journal of Huzhou Vocational and Technological College

基　　金：2008年度浙江省社科联重点研究课题<从丝商巨贾到艺术世家--南浔金氏家族研究>(08Z45)的阶段性研究成果

摘　　要：中日美术交流有着悠久的历史,但是,在进入20世纪以后,中日美术交流的关系发生了逆转中国从先生转变为了学生。这既反映出国人向外学习的开放态度,同时也带来了一种强烈的自卑意识。在此背景下,金城积极开拓中日美术交流的新格局,以集团形式组织中国美术家与日本进行有规模、有秩序的平等交流。这样的交流既展示了中国传统美术的优点,同时也增强了国人对中国传统美术的自信。There was a long history in the artistic exchange between China and Japan,however,a great change which was from teacher to student for China took place in the relationships of the artistic exchange between China and Japan in the beginning of 20th century,which not only reflected the Chinese open attitude to learn the foreign culture and arts,but also caused a serious self-inferiority.In this instance,Jin Cheng positively pioneered a new situation of the artistic exchange between China and Japan by organizing the massive,periodic and equal exchange in the form of artistic association,thereby,demonstrated the values of the Chinese traditional arts and enhanced the Chinese self-confidence in the traditional arts.

关 键 词：金城 美术交流 集团 平等 

分 类 号：K29[历史地理—历史学] G127[历史地理—中国史]