《元刊杂剧三十种》的版本及其校勘  

The Edition and Proofreading of Thirty Types of Yuan Kan Zaju

作　　者：包建强[1] 胡成选[2] 

机构地区：[1]南京大学中文系,江苏南京210093 [2]中国人民银行白银市中心支行,甘肃白银730900

出　　处：《西北师大学报（社会科学版）》2010年第1期44-49,共6页Journal of Northwest Normal University(Social Sciences)

摘　　要：《元刊杂剧三十种》在剧本形式、音乐体制、组曲方式、用字风格等方面都体现出演剧特性及艺人的参与。《元刊杂剧三十种》是经过艺人改编的通俗演唱脚本。对于《元刊杂剧三十种》的校勘整理,历来皆以明代版本为标准,趋向于典雅的文人化,这种倾向恰与元刊本的文化特征相悖。校勘元本,应尊重其原貌,少校改、多注释,并开辟元本的通俗文艺研究之路。Thirty Types of Yuan Kan Zaju highlighted the actors participation and stage feature in form of scripts, music system, composing style, and diction style. It is the simple stage scripts adapted by actors. However,the version of the Ming Dynasty was always regarded as the model of Zaju of the Yuan Dynasty, which showed trend of elegant literati, and in fact contradicted with the characteristics of Thirty Types of Yuan Kan Zaju. Thus, it is necessary to respect its original appearance, and focus on noting, and less editing.

关 键 词：《元刊杂剧三十种》 通俗演唱脚本 文人化 

分 类 号：I206.2[文学—中国文学]