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作 者:胡焕龙[1]
出 处:《学术界》2010年第1期172-179,共8页Academics
基 金:安徽省教育厅人文社科一般项目"20世纪前期中国市民文学的价值与地位"研究成果之一(批准文号为:2004sk134)
摘 要:鸦片战争以后,中国进入社会与文化现代转型的"百年激荡"历史时期。此期的思想家们各自提出了自己的文化策略,力图融会中西,建设民族新文化,它显示了中华民族的内在活力和焕发青春的根本动力。徘徊在历史歧路上无所适从的林纾,面对中国光怪陆离的社会与文化现象,成为时代的"伤心人"。晚年林纾以"情—礼"调和的言情小说建设他心目中的"和谐王国",企图以此寻求中华民族新的文化坐标。"文化力"是一个国家根本的国力所在,因此,我们呼唤当代中国的思想家、当代社会的"伤心人"。After the Opium War, China entered the historical period of 'century agitation' of social and cultural transformation. Thinkers of this period put forward their own cultural strategy, trying to combine findings derived from Chinese and Western countries and build the new national culture. Lingering on the historical crossroads, faced with the absurd social and cultural phenomena of the times, Lin Shu was at a loss as to what to do and became a 'broken-hearted person' of the era. In his later years, in order to seek a new cultural coordinate of the Chinese nation, Lin Shu built a 'Harmonious Kingdom' in his mind with 'affection-courtesy' romantic novels. The fundamental power of a country lies in its cultural power. Therefore, we are calling for contemporary Chinese thinkers and 'broken-hearted persons' of contemporary society.
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