扬州八怪:作为中国绘画史上的一种市民文化现象  

"Eight eccentrics of Yangzhou"is phenomenon of resident culture in China’s painting history

作　　者：陈兵[1] 

机构地区：[1]桂林电子科技大学艺术与设计学院,广西桂林541004

出　　处：《艺术百家》2010年第1期202-204,共3页Hundred Schools In Arts

摘　　要：清代中期的扬州是一个财富雄厚的富庶城市,民间又有着字画收藏的传统,因此大批画家聚集在扬州卖画。其中一部分个性鲜明、独具特色的杰出画家被称为"扬州八怪"。至今学界习惯于把它作为一个画派来认识和研究。但扬州八怪并不具备艺术流派的应有特征,它仅仅是一个画家卖画为生的松散群体。他们基于市场的需求和普通市民的喜好来进行艺术创作,既不像士大夫的逸笔戏墨,更没有院体流韵,其绘画形式与笔墨风格和扬州当时的文化风尚相关联,是我国绘画史上出现得比较早的一种市民文化现象。Yangzhou was a wealthy city in mid - Qing dynasty, people in Yangzhou have tradition to collect calligraphies and paintings, which attract cluster of artists to sell their works there. Some painters were known as ＂ Eight eccentrics of Yangzhou＂ by their unique personalities and distinguished features. Till today, lots of scholars are used to recognizing and researching them as a school of painting. However,＂ Eight eccentrics of Yangzhou＂ may be just a loose group who earn their livings by selling painting, they dont have characteristics as a painting school should have. Neither ＂ Eight eccentrics of Yangzhou＂ paint like scholar - bureaucrat, nor do they paint like academic painters. They just paint according to market demand and residents＇favors. Therefore, their painting style is closely connected to Yangzhou＇s culture and fads. In fact, ＂ Eight eccentrics of Yangzhou＂ is early phenomenon of resident culture in China＇s painting history.

关 键 词：扬州八怪 艺术流派 画家群体 商品化 市民文化 文化现象 艺术精神 

分 类 号：J202[艺术—美术]