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机构地区:[1]天津大学建筑学院,天津300072 [2]铁道部第三勘测设计院,天津300142
出 处:《天津大学学报(社会科学版)》2010年第1期54-56,共3页Journal of Tianjin University:Social Sciences
基 金:国家博士学科点专项科研基金资助项目(20040056059)
摘 要:胶东地区和闽粤地区作为海上丝绸之路南北两线起点,自古以来海上贸易往来十分频繁,货物运输和人口流动促进了两地区之间的建筑文化融合。胶东地区和闽粤地区同属于海洋文化,有着相同的精神信仰和审美情趣。本文通过两地民居在美学理想、审美法则、美学形式与美学意识等方面的比较研究,从地域文化圈角度分析两地民居艺术美学的交融性特征。As the starting points of the two lines of the maritime Silk Road, Eastern Shandong area in the north and Fujian and Guangdong provinces in the south have been contacting with the maritime trade frequently since ancient time. Transportation and population flow promoted the architectural culture to merge. Eastern Shandong and Fujian and Guangdong, as the marine culture area, share the same spiritual faith and aesthetic interest. From the perspective of regional cultural circle,this thesis analyzes the blending characteristics of artistic aesthetics of the civil dwellings in both regions, through the comparative study of aesthetic ideal, aesthetics nile, aesthetic form and aesthetic consciousness.
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