家庭·男女·生命——论电影《一一》  

Family,Male-Female and Life——On the Film Yiyi

作　　者：何李新[1] 

机构地区：[1]绵阳师范学院,四川绵阳621000

出　　处：《齐齐哈尔师范高等专科学校学报》2010年第1期82-84,共3页Journal of Qiqihar Junior Teachers College

摘　　要：作为杨德昌的颠峰之作,电影《一一》汇集了他对现代社会的种种思考。现代个人隐私和传统集会仪式的结合并不能掩饰都市化过程中家的问题化。而传统父权衰落的后俄底浦斯时代,家庭的危机也是性关系的危机。每个人也都不得不面对自身欲望的僵局。但最终在生老病死的生命历程中,一切都显得微不足道。As the Yangdechang＇s height, the film Yiyi contains many thoughts about modern society .Combination of modern individual privacy and traditional gathering rites can＇t conceal the problems of home in the process of urbanization. In the post-Oedipus era of patriarchy decline, the crisis in family is also the crisis in sexual relationships. Everyone has to face deadlock of self-desire. In the life of childbirth, old age, sickness and funerals, everything looks insignificant.

关 键 词：家 性 欲望 生命中 

分 类 号：J905[艺术—电影电视艺术]